1
00:00:02,600 --> 00:00:08,300
[narrator] <i>In Ireland,</i>
<i>a place of refuge turns</i>
<i>into a house of horrors.</i>

2
00:00:08,300 --> 00:00:09,667
[Terri Kearney] <i>All hell</i>
<i>broke loose.</i>

3
00:00:09,667 --> 00:00:11,467
<i>There was bodies everywhere.</i>

4
00:00:11,467 --> 00:00:14,400
It was appalling
and it was totally
unnecessary.

5
00:00:16,266 --> 00:00:20,867
[narrator] <i>A weird</i>
<i>and wonderful fantasy land</i>
<i>in the heart of Alabama.</i>

6
00:00:20,867 --> 00:00:22,867
[Hadley Meares]
<i>Everybody loves it so much.</i>

7
00:00:22,867 --> 00:00:24,200
<i>They don't even wear shoes,</i>

8
00:00:24,200 --> 00:00:27,133
as a symbol
that they never want to leave.

9
00:00:28,567 --> 00:00:30,300
[narrator] <i>And in South Korea,</i>

10
00:00:30,300 --> 00:00:35,467
<i>the fate of a nation</i>
<i>is determined</i>
<i>behind these walls.</i>

11
00:00:35,467 --> 00:00:36,700
[Rob Bell] <i>They were trapped,</i>

12
00:00:36,700 --> 00:00:38,867
<i>cut off</i>
<i>from the outside world,</i>

13
00:00:38,867 --> 00:00:41,800
but would fight to the death
for democracy.

14
00:00:45,767 --> 00:00:47,900
[narrator] <i>Decaying relics,</i>

15
00:00:49,200 --> 00:00:51,433
<i>ruins of lost worlds,</i>

16
00:00:53,200 --> 00:00:56,900
<i>sites haunted by the past,</i>

17
00:00:56,900 --> 00:01:01,333
<i>their secrets waiting</i>
<i>to be revealed.</i>

18
00:01:11,867 --> 00:01:15,667
[narrator] <i>In County Cork,</i>
<i>on Ireland's southern coast,</i>

19
00:01:15,667 --> 00:01:18,500
<i>are haunting remnants</i>
<i>of a tragic era.</i>

20
00:01:24,200 --> 00:01:28,700
[Luke Pepera] <i>The area's</i>
<i>covered in lush, green hills</i>
<i>and pristine beaches.</i>

21
00:01:28,700 --> 00:01:33,166
There's a reason this country
is called the Emerald Isle.

22
00:01:33,166 --> 00:01:39,166
[narrator]
<i>Yet the land's natural beauty</i>
<i>hides a painful history.</i>

23
00:01:39,166 --> 00:01:46,600
On the skirts of a small town
are the sprawling remains
of a stone complex.

24
00:01:46,600 --> 00:01:50,166
[Bell] <i>You can still see</i>
<i>these imposing walls,</i>

25
00:01:50,166 --> 00:01:54,000
but the overgrowth
has almost entirely reclaimed
these buildings.

26
00:01:54,867 --> 00:01:57,867
[narrator]
<i>The crumbling relic</i>
<i>reveals little</i>

27
00:01:57,867 --> 00:01:59,767
<i>about its original purpose.</i>

28
00:01:59,767 --> 00:02:01,967
[Sascha Auerbach] <i>When this</i>
<i>was built, the country was</i>

29
00:02:01,967 --> 00:02:04,867
<i>in the grips</i>
<i>of a horrible catastrophe.</i>

30
00:02:04,867 --> 00:02:08,400
Partly natural,
partly man-made.

31
00:02:08,400 --> 00:02:10,500
[Kearney] <i>I still</i>
<i>imagine those poor people</i>
<i>coming up,</i>

32
00:02:10,500 --> 00:02:13,467
knowing what their fate
was going to be
behind these walls.

33
00:02:13,467 --> 00:02:15,166
That they'd never
come out again.

34
00:02:15,166 --> 00:02:20,000
[narrator] <i>Additional ruins</i>
<i>expose a different chapter</i>
<i>of this heartbreaking story.</i>

35
00:02:20,000 --> 00:02:21,900
The structure of a wall

36
00:02:21,900 --> 00:02:25,867
<i>and a tall, dark building,</i>
<i>and the windows boarded up.</i>

37
00:02:25,867 --> 00:02:28,000
[Bell] <i>How are</i>
<i>all these structures</i>
<i>connected?</i>

38
00:02:28,000 --> 00:02:29,767
And what happened here?

39
00:02:29,767 --> 00:02:34,700
This became the epicenter
of one of the worst crises
in Ireland's history.

40
00:02:40,867 --> 00:02:45,166
[Kearney]
<i>The first time I came here,</i>
<i>I wasn't ready for it.</i>

41
00:02:45,166 --> 00:02:47,066
I could actually feel
the sorrow

42
00:02:47,066 --> 00:02:48,400
seeping out through the walls,

43
00:02:48,400 --> 00:02:51,667
and it really did have
a profound impact on me.

44
00:02:51,667 --> 00:02:55,767
[narrator] <i>Terri Kearney</i>
<i>grew up in the nearby town</i>
<i>of Skibbereen.</i>

45
00:02:55,767 --> 00:02:59,367
<i>She has dedicated her life</i>
<i>to preserving the memory</i>
<i>of a tragedy</i>

46
00:02:59,367 --> 00:03:02,133
<i>many in Ireland</i>
<i>wanted to forget.</i>

47
00:03:03,367 --> 00:03:06,667
For 150 years,
Ireland really did forget,
you know?

48
00:03:06,667 --> 00:03:10,000
<i>It wasn't spoken about.</i>
<i>It's called</i>
<i>"the great silence."</i>

49
00:03:10,000 --> 00:03:12,400
So these places
are really, really important

50
00:03:12,400 --> 00:03:16,367
as a physical manifestation
of over a million dead.

51
00:03:16,367 --> 00:03:19,200
<i>I always describe it</i>
<i>as a prison environment.</i>

52
00:03:20,166 --> 00:03:22,467
[narrator]
<i>But this was no prison.</i>

53
00:03:22,467 --> 00:03:27,367
<i>During the 19th century,</i>
<i>thousands of desperate people</i>
<i>came here by choice</i>

54
00:03:27,367 --> 00:03:31,767
<i>because</i>
<i>their only other option</i>
<i>was an agonizing death.</i>

55
00:03:31,767 --> 00:03:34,400
[Kearney] <i>They were surrounded</i>
<i>by high stone walls.</i>

56
00:03:34,400 --> 00:03:37,867
<i>When you went it,</i>
<i>you had to go in as a family.</i>
<i>You were segregated.</i>

57
00:03:37,867 --> 00:03:40,166
Men, women, boys, girls.

58
00:03:40,166 --> 00:03:42,934
You weren't allowed
to see the other members
of your family.

59
00:03:45,767 --> 00:03:48,567
[narrator] <i>This</i>
<i>is the Schull Workhouse,</i>

60
00:03:48,567 --> 00:03:52,700
<i>the government's answer</i>
<i>for a population</i>
<i>in dire straits.</i>

61
00:03:53,967 --> 00:03:57,467
[Pepera] <i>The workhouse</i>
<i>was an institution in Ireland.</i>

62
00:03:57,467 --> 00:04:01,100
At their peak,
there were over 160 of them.

63
00:04:01,100 --> 00:04:04,367
[Bell] <i>It was really</i>
<i>a last resort for</i>
<i>the poorest families.</i>

64
00:04:04,367 --> 00:04:06,100
<i>If you couldn't</i>
<i>support yourself,</i>

65
00:04:06,100 --> 00:04:10,700
you could come to a workhouse
and receive food and shelter
for your labor.

66
00:04:10,700 --> 00:04:14,200
[narrator]
<i>The workhouse system,</i>
<i>funded by local taxes,</i>

67
00:04:14,200 --> 00:04:18,533
<i>was first put in place</i>
<i>by the British government</i>
<i>in the late 1830s.</i>

68
00:04:19,500 --> 00:04:22,867
<i>When they opened,</i>
<i>the conditions were so bad,</i>

69
00:04:22,867 --> 00:04:24,900
<i>the workhouses</i>
<i>were rarely full.</i>

70
00:04:25,667 --> 00:04:27,567
<i>But by the 1840s,</i>

71
00:04:27,567 --> 00:04:33,266
<i>buildings like this</i>
<i>all across Ireland</i>
<i>were filled to capacity.</i>

72
00:04:33,266 --> 00:04:35,600
<i>The reason</i>
<i>for the increased demand</i>

73
00:04:35,600 --> 00:04:40,100
<i>dates back to when</i>
<i>the English invaded</i>
<i>these shores.</i>

74
00:04:40,100 --> 00:04:43,367
[Bell] <i>The Cromwellian</i>
<i>conquest of Ireland</i>
<i>in the 17th century</i>

75
00:04:43,367 --> 00:04:47,867
created a precarious situation
amongst Irish farmers.

76
00:04:47,867 --> 00:04:51,166
[Pepera] <i>The penal law</i>
<i>of 1704 dictated</i>

77
00:04:51,166 --> 00:04:53,400
that when an Irish
tenant farmer died,

78
00:04:53,400 --> 00:04:56,600
his land should be
equally divided
among his sons.

79
00:04:57,567 --> 00:05:00,867
[Auerbach] <i>As the population</i>
<i>continued to grow,</i>

80
00:05:00,867 --> 00:05:03,266
<i>this farmland got subdivided</i>

81
00:05:03,266 --> 00:05:06,467
<i>into smaller</i>
<i>and smaller plots.</i>

82
00:05:06,467 --> 00:05:11,166
As a consequence,
these farmers turned
to the one crop

83
00:05:11,166 --> 00:05:15,266
that even
in that limited space
could feed a whole family.

84
00:05:15,266 --> 00:05:17,100
The potato.

85
00:05:18,266 --> 00:05:23,500
[narrator] <i>Ireland's reliance</i>
<i>on a single food source</i>
<i>would prove to be fatal.</i>

86
00:05:24,467 --> 00:05:27,467
[Bell] <i>In 1845, a blight</i>
<i>that had been traveling</i>

87
00:05:27,467 --> 00:05:29,200
<i>around North America</i>
<i>and Europe</i>

88
00:05:29,200 --> 00:05:31,066
landed on Irish shores,

89
00:05:31,066 --> 00:05:34,166
and the potato crop
was decimated.

90
00:05:34,166 --> 00:05:36,767
People around here were
well used to failures,
and they thought,

91
00:05:36,767 --> 00:05:38,934
"One year, we just need
to get over one year."

92
00:05:40,000 --> 00:05:44,467
[narrator] <i>But the next year,</i>
<i>the situation only got worse.</i>

93
00:05:44,467 --> 00:05:49,233
<i>In 1846, there was</i>
<i>a 90% failure of the crop.</i>

94
00:05:50,767 --> 00:05:54,000
[Auerbach] <i>The poor</i>
<i>farming region of West Cork</i>

95
00:05:54,000 --> 00:05:56,100
was one
of the hardest-hit areas,

96
00:05:56,100 --> 00:06:02,100
and the town of Skibbereen
became ground zero
in the Great Potato Famine.

97
00:06:02,100 --> 00:06:07,100
[Kearney] <i>By 1846,</i>
<i>people were dying in this town</i>
<i>and society was breaking down.</i>

98
00:06:07,100 --> 00:06:11,200
Death by starvation is a long,
slow, painful disease.

99
00:06:11,200 --> 00:06:14,166
And it robbed their humanity.

100
00:06:14,166 --> 00:06:16,900
[narrator] <i>A local doctor</i>
<i>named Daniel Donovan</i>

101
00:06:16,900 --> 00:06:19,700
<i>witnessed the tragedy</i>
<i>that was unfolding</i>

102
00:06:19,700 --> 00:06:23,667
<i>and he stepped in</i>
<i>to be a champion</i>
<i>for the people.</i>

103
00:06:23,667 --> 00:06:27,100
Oh, Dr. Dan
was an extraordinary man.

104
00:06:27,100 --> 00:06:28,867
<i>He was qualified as a surgeon.</i>

105
00:06:28,867 --> 00:06:30,266
<i>He could have</i>
<i>gone off to Dublin</i>

106
00:06:30,266 --> 00:06:32,100
<i>and had</i>
<i>a very illustrious career.</i>

107
00:06:32,100 --> 00:06:36,667
Instead, he stayed
here in Skibbereen
during this worst catastrophe.

108
00:06:36,667 --> 00:06:40,667
He did so much to help people.

109
00:06:40,667 --> 00:06:44,667
<i>He wrote and looked for help</i>
<i>and screamed for help.</i>

110
00:06:44,667 --> 00:06:46,500
[Pepera]
<i>His advocacy was successful,</i>

111
00:06:46,500 --> 00:06:52,367
and £400,000
flowed in from the UK
from donation drives.

112
00:06:52,367 --> 00:06:54,467
[narrator]
<i>An old mill building in town</i>

113
00:06:54,467 --> 00:06:59,700
<i>was hastily converted</i>
<i>into a makeshift soup kitchen</i>
<i>to feed the hungry.</i>

114
00:06:59,700 --> 00:07:03,166
[Bell]
<i>The relief effort embarrassed</i>
<i>British politicians.</i>

115
00:07:03,166 --> 00:07:05,500
<i>Here was</i>
<i>the world's greatest empire</i>

116
00:07:05,500 --> 00:07:09,233
becoming reliant
on external aid
to help its people.

117
00:07:10,166 --> 00:07:11,800
[narrator]
<i>Now in the spotlight,</i>

118
00:07:11,800 --> 00:07:15,066
<i>the government was forced</i>
<i>to offer support.</i>

119
00:07:15,066 --> 00:07:19,266
[Auerbach] <i>In 1847,</i>
<i>the Soup Kitchen Act</i>
<i>was passed.</i>

120
00:07:19,266 --> 00:07:23,800
And within months,
three million Irish people
were being fed.

121
00:07:23,800 --> 00:07:25,100
[Pepera]
<i>They served a concoction</i>

122
00:07:25,100 --> 00:07:29,800
<i>of barley, water,</i>
<i>beef, and onions,</i>
<i>known as Soyer's Soup.</i>

123
00:07:29,800 --> 00:07:30,900
It was nothing fancy,

124
00:07:30,900 --> 00:07:34,300
but it gave people
just enough calories
to survive.

125
00:07:35,400 --> 00:07:36,767
[narrator] <i>Charles Trevelyan,</i>

126
00:07:36,767 --> 00:07:38,967
<i>assistant secretary</i>
<i>to the treasury,</i>

127
00:07:38,967 --> 00:07:42,367
<i>was the man in charge</i>
<i>of Britain's relief efforts.</i>

128
00:07:42,367 --> 00:07:44,667
<i>His political</i>
<i>and personal views</i>

129
00:07:44,667 --> 00:07:49,200
<i>dictated the government's</i>
<i>initial reluctance to help.</i>

130
00:07:49,200 --> 00:07:53,700
[Auerbach] <i>Charles Trevelyan</i>
<i>was a subscriber</i>
<i>of the laissez-faire policy,</i>

131
00:07:53,700 --> 00:07:58,166
<i>which is government</i>
<i>non-interference</i>
<i>in economic matters.</i>

132
00:07:58,166 --> 00:08:01,600
That meant that in the middle
of the famine,

133
00:08:01,600 --> 00:08:04,367
food was being
exported out of Ireland

134
00:08:04,367 --> 00:08:08,266
<i>even as millions</i>
<i>continued to starve.</i>

135
00:08:08,266 --> 00:08:10,867
[Bell] <i>Trevelyan</i>
<i>infamously wrote</i>
<i>that the famine</i>

136
00:08:10,867 --> 00:08:13,166
had been
brought about by God

137
00:08:13,166 --> 00:08:16,467
as a judgement
on Ireland's excessive
population growth

138
00:08:16,467 --> 00:08:20,066
and dependency
on the potato for food.

139
00:08:20,066 --> 00:08:22,900
Even today,
he's a hated figure
across Ireland.

140
00:08:24,100 --> 00:08:26,767
[narrator]
<i>It's not hard to see why.</i>

141
00:08:26,767 --> 00:08:29,266
<i>Three months</i>
<i>after aid was given,</i>

142
00:08:29,266 --> 00:08:32,100
<i>Britain was hit</i>
<i>by a financial crisis.</i>

143
00:08:32,100 --> 00:08:37,400
<i>Trevelyan's response</i>
<i>was to immediately shut down</i>
<i>the soup kitchens.</i>

144
00:08:39,467 --> 00:08:42,600
From the autumn of 1847 on,

145
00:08:42,600 --> 00:08:46,233
<i>the only relief</i>
<i>there on was through</i>
<i>the workhouse system.</i>

146
00:08:46,900 --> 00:08:48,200
<i>All hell broke loose.</i>

147
00:08:48,200 --> 00:08:51,367
<i>It really did.</i>
<i>It was the worst year</i>
<i>of the Great Famine.</i>

148
00:08:51,367 --> 00:08:53,600
And it was totally
unnecessary.

149
00:08:58,567 --> 00:09:00,400
[narrator] <i>In the 1840s,</i>

150
00:09:00,400 --> 00:09:07,000
<i>Ireland was in crisis</i>
<i>as the deadly potato famine</i>
<i>ravaged the country.</i>

151
00:09:07,000 --> 00:09:10,567
<i>After the British government</i>
<i>ended its support</i>
<i>for soup kitchens,</i>

152
00:09:10,567 --> 00:09:13,867
<i>the workhouse</i>
<i>was the only option left.</i>

153
00:09:13,867 --> 00:09:16,600
So this Schull Workhouse
was one of the later
workhouses

154
00:09:16,600 --> 00:09:19,400
<i>built in the late 1840s,</i>
<i>early 1850s.</i>

155
00:09:20,300 --> 00:09:22,266
<i>Horrible, horrible places.</i>

156
00:09:22,266 --> 00:09:25,767
During the Great Famine,
they were so overcrowded
and underfunded.

157
00:09:25,767 --> 00:09:30,600
<i>They kept running out of food.</i>
<i>They were breeding grounds</i>
<i>for disease.</i>

158
00:09:30,600 --> 00:09:34,734
[narrator] <i>The awful truth</i>
<i>was that families often</i>
<i>didn't come here to live.</i>

159
00:09:35,166 --> 00:09:37,000
<i>They came to die.</i>

160
00:09:37,867 --> 00:09:40,500
[Auerbach] <i>Catholic families</i>
<i>came to workhouses</i>

161
00:09:40,500 --> 00:09:44,567
because they knew
they would get
a properly consecrated burial.

162
00:09:44,567 --> 00:09:46,266
[Kearney] <i>And so many</i>
<i>accounts of that.</i>

163
00:09:46,266 --> 00:09:49,767
People clambering
at the workhouse walls,
just wanting to get in

164
00:09:49,767 --> 00:09:52,333
so they knew
they wouldn't be left to rot
at the side of the road.

165
00:09:53,767 --> 00:09:57,000
[narrator] <i>At Skibbereen's</i>
<i>Abbeystrowry Cemetery</i>

166
00:09:57,000 --> 00:10:01,400
<i>are the unmarked graves</i>
<i>of over 10,000 people,</i>

167
00:10:01,400 --> 00:10:05,467
<i>a small fraction</i>
<i>of the total death toll.</i>

168
00:10:05,467 --> 00:10:08,166
[Kearney] <i>These mass graves</i>
<i>are all over Ireland.</i>

169
00:10:08,166 --> 00:10:12,266
Overall,
it's estimated we lost
about a million people,

170
00:10:12,266 --> 00:10:15,900
<i>and about another</i>
<i>million-and-a-quarter</i>
<i>emigrated.</i>

171
00:10:15,900 --> 00:10:18,500
It was the biggest
mass migration
in world history.

172
00:10:20,400 --> 00:10:22,767
[narrator] <i>By the mid-1850s,</i>

173
00:10:22,767 --> 00:10:25,567
<i>the potato crop</i>
<i>had almost fully recovered,</i>

174
00:10:25,567 --> 00:10:29,700
<i>and the dependence</i>
<i>on workhouses</i>
<i>steadily declined.</i>

175
00:10:29,700 --> 00:10:31,600
<i>The famine may have ended,</i>

176
00:10:31,600 --> 00:10:34,734
<i>but its legacy</i>
<i>had only just begun.</i>

177
00:10:40,166 --> 00:10:41,734
[Kearney]
<i>I suppose you could say</i>

178
00:10:41,734 --> 00:10:46,967
<i>the events of this era</i>
<i>would eventually lead</i>
<i>to Irish independence, too,</i>

179
00:10:46,967 --> 00:10:50,867
<i>because some of those</i>
<i>who survived</i>

180
00:10:50,867 --> 00:10:56,000
were violently changed by it
and became revolutionaries
with arms.

181
00:10:56,967 --> 00:10:58,367
[narrator]
<i>Their fight for freedom</i>

182
00:10:58,367 --> 00:11:02,000
<i>would eventually bring about</i>
<i>this building's demise.</i>

183
00:11:02,000 --> 00:11:03,333
[Bell] <i>During</i>
<i>the War of Independence,</i>

184
00:11:03,333 --> 00:11:06,867
<i>the Irish Republican Army</i>
<i>burned the workhouse</i>
<i>to the ground</i>

185
00:11:06,867 --> 00:11:10,166
to prevent it
being used as barracks
by the British forces.

186
00:11:10,166 --> 00:11:15,000
[Auerbach] <i>Since then,</i>
<i>it's become dilapidated</i>
<i>and overgrown.</i>

187
00:11:15,000 --> 00:11:19,133
A ghostly reminder
of the country's
most dire period.

188
00:11:24,567 --> 00:11:26,567
[narrator] <i>In Central Alabama</i>

189
00:11:26,567 --> 00:11:28,967
<i>is a curious collection</i>
<i>of buildings</i>

190
00:11:28,967 --> 00:11:32,033
<i>where reality</i>
<i>collides with fantasy.</i>

191
00:11:37,767 --> 00:11:41,000
[Alexis Pedrick] <i>A short</i>
<i>distance north of the capital,</i>
<i>Montgomery,</i>

192
00:11:41,000 --> 00:11:43,700
<i>is a place</i>
<i>called Jackson Lake Island.</i>

193
00:11:43,700 --> 00:11:47,867
And it's small.
I mean, less than
a half-a-mile across.

194
00:11:47,867 --> 00:11:53,000
It's really beautiful,
but also kind of spooky.

195
00:11:53,000 --> 00:11:57,700
At the end of the island
is what looks like this
abandoned, desolate town.

196
00:11:58,667 --> 00:12:01,367
[Jim Meigs]
<i>There's something</i>
<i>old about it,</i>

197
00:12:01,367 --> 00:12:03,734
but something kind of
otherworldly too.

198
00:12:04,967 --> 00:12:06,066
As you get closer
to these buildings,

199
00:12:06,066 --> 00:12:08,767
you realize there's something
really odd about them.

200
00:12:08,767 --> 00:12:12,400
<i>There's nothing inside.</i>
<i>In fact, some of them</i>
<i>aren't even finished.</i>

201
00:12:13,767 --> 00:12:17,233
[narrator]
<i>At the town's entrance,</i>
<i>the plot thickens.</i>

202
00:12:19,500 --> 00:12:22,200
[Pedrick]
<i>There's these two trees</i>
<i>that frame the street,</i>

203
00:12:22,200 --> 00:12:26,166
but if you look closer,
you can actually tell
that they're fake.

204
00:12:26,166 --> 00:12:29,567
<i>Like where the bark</i>
<i>is wearing away,</i>
<i>there is Styrofoam.</i>

205
00:12:29,567 --> 00:12:31,800
So this is not
actually a real place,

206
00:12:31,800 --> 00:12:34,133
it's a place
of complete make-believe.

207
00:12:34,900 --> 00:12:36,667
[narrator]
<i>Everything seen here</i>

208
00:12:36,667 --> 00:12:41,867
<i>is the creation of a visionary</i>
<i>with a wild imagination.</i>

209
00:12:41,867 --> 00:12:44,567
[Pedrick]
<i>For the man behind it,</i>
<i>it was a big gamble.</i>

210
00:12:44,567 --> 00:12:49,233
I mean, he needed a win
and there was no guarantee
that this was gonna be it.

211
00:12:50,200 --> 00:12:51,867
[Meares] <i>It's a magical story.</i>

212
00:12:51,867 --> 00:12:54,200
Sometimes it's funny,
sometimes it's sad,

213
00:12:54,200 --> 00:12:57,967
and sometimes
it is just downright weird.

214
00:12:57,967 --> 00:13:01,400
And there are goats.
Lots and lots of goats.

215
00:13:09,900 --> 00:13:11,100
[Lynn Bright] For many years,

216
00:13:11,100 --> 00:13:13,367
this was just a place
where people loved
to come and fish

217
00:13:13,367 --> 00:13:15,233
and maybe picnic or camp.

218
00:13:16,767 --> 00:13:18,000
[narrator]
<i>Bobby and Lynn Bright</i>

219
00:13:18,000 --> 00:13:21,200
<i>are the owners</i>
<i>of Jackson Lake Island.</i>

220
00:13:21,200 --> 00:13:27,266
<i>In 2003,</i>
<i>an out-of-the-blue phone call</i>
<i>changed their world forever.</i>

221
00:13:27,266 --> 00:13:30,767
We were contacted by
the Alabama Film Commission,

222
00:13:30,767 --> 00:13:34,000
and they said that
they had a production company

223
00:13:34,000 --> 00:13:38,100
<i>that was interested</i>
<i>in maybe doing a movie</i>
<i>on our island.</i>

224
00:13:38,100 --> 00:13:40,767
It was exciting,
because once we learned
it was Tim Burton,

225
00:13:40,767 --> 00:13:43,367
we knew that it wasn't
gonna be a small-time deal,

226
00:13:43,367 --> 00:13:45,600
<i>it was gonna be</i>
<i>a major production.</i>

227
00:13:46,900 --> 00:13:49,400
[Meigs]
<i>When a big Hollywood picture</i>
<i>comes to town,</i>

228
00:13:49,400 --> 00:13:50,767
<i>it's like an occupying army.</i>

229
00:13:50,767 --> 00:13:56,600
They bring
almost everything they need.
Trailers, trucks, catering.

230
00:13:56,600 --> 00:13:58,767
Well, at the beginning,
there was nothing here.

231
00:13:58,767 --> 00:14:00,767
It was just grass and trees.

232
00:14:00,767 --> 00:14:03,500
<i>And they came in</i>
<i>and just kind of</i>
<i>cleared the site,</i>

233
00:14:03,500 --> 00:14:05,900
<i>and then started</i>
<i>the construction.</i>

234
00:14:06,300 --> 00:14:07,900
<i>It was a big operation.</i>

235
00:14:09,567 --> 00:14:13,100
[narrator]
<i>This is the fictional town</i>
<i>of Spectre,</i>

236
00:14:13,100 --> 00:14:15,266
<i>one of the many</i>
<i>whimsical locations</i>

237
00:14:15,266 --> 00:14:18,400
<i>in the 2003</i>
<i>cult film</i> Big Fish.

238
00:14:19,867 --> 00:14:21,500
[Meares] <i>If you haven't seen</i>
<i>the movie</i> Big Fish,

239
00:14:21,500 --> 00:14:24,567
<i>it's this really lovely</i>
<i>magical realism film.</i>

240
00:14:24,567 --> 00:14:25,800
At its core,

241
00:14:25,800 --> 00:14:29,000
it's a story
of a father and a son's
troubled relationship.

242
00:14:30,500 --> 00:14:34,200
[Pedrick] <i>So Ewan McGregor</i>
<i>stars as the dad</i>
<i>when he's younger,</i>

243
00:14:34,200 --> 00:14:37,100
<i>and Albert Finney plays</i>
<i>the older version of him.</i>

244
00:14:37,100 --> 00:14:40,300
And he loves to tell
tall tales about his life.

245
00:14:40,967 --> 00:14:43,734
<i>I mean, tall tales,</i>
<i>like, really.</i>

246
00:14:44,567 --> 00:14:46,800
[Meares] <i>The son is played</i>
<i>by Billy Crudup,</i>

247
00:14:46,800 --> 00:14:49,066
<i>and he plays a character</i>
<i>named Will Bloom.</i>

248
00:14:49,066 --> 00:14:51,166
<i>And Will is absolutely fed up</i>

249
00:14:51,166 --> 00:14:55,367
<i>with what he sees</i>
<i>as his father's lifetime</i>
<i>of lies.</i>

250
00:14:55,367 --> 00:14:58,200
[narrator] <i>But when Will</i>
<i>discovers his father is dying,</i>

251
00:14:58,200 --> 00:15:01,767
<i>he decides to find out</i>
<i>the truth about his life.</i>

252
00:15:01,767 --> 00:15:05,467
<i>That's where the town</i>
<i>of Spectre comes in.</i>

253
00:15:05,467 --> 00:15:09,567
[Pedrick] <i>In the film,</i>
<i>a young Edward Bloom</i>
<i>wants to leave home.</i>

254
00:15:09,567 --> 00:15:10,867
It's too small for him.

255
00:15:10,867 --> 00:15:13,567
He's a big fish
in a small pond.

256
00:15:13,567 --> 00:15:15,800
[Meigs] <i>So he goes on</i>
<i>kind of a journey,</i>

257
00:15:15,800 --> 00:15:18,467
<i>and that journey</i>
<i>brings him here.</i>

258
00:15:18,467 --> 00:15:22,367
<i>The town of Spectre is kind of</i>
<i>like a Brigadoon place</i>

259
00:15:22,367 --> 00:15:27,467
where you feel like
you've stepped out of time
into a different world

260
00:15:27,467 --> 00:15:31,233
<i>where things just</i>
<i>work differently,</i>
<i>like nobody wears any shoes.</i>

261
00:15:33,266 --> 00:15:35,600
[narrator] <i>Shortly after</i>
<i>Edward arrived,</i>

262
00:15:35,600 --> 00:15:38,767
<i>he is invited</i>
<i>to the mayor's house</i>
<i>for apple pie,</i>

263
00:15:38,767 --> 00:15:41,900
<i>and the townspeople</i>
<i>try to convince him to stay.</i>

264
00:15:42,767 --> 00:15:44,467
[Lynn] <i>Under the table</i>
<i>comes little Jenny,</i>

265
00:15:44,467 --> 00:15:47,867
unties his boots,
runs out the front door
with them.

266
00:15:47,867 --> 00:15:49,467
<i>She runs down the street,</i>

267
00:15:49,467 --> 00:15:53,100
<i>throws 'em over the line</i>
<i>where all the residents'</i>
<i>shoes are,</i>

268
00:15:53,100 --> 00:15:56,934
<i>and he quickly learned</i>
<i>why she took his boots.</i>

269
00:15:58,000 --> 00:15:59,166
[Meares]
<i>And the reason for that</i>

270
00:15:59,166 --> 00:16:01,166
<i>is they love</i>
<i>the town so much,</i>

271
00:16:01,166 --> 00:16:02,700
they don't ever want to leave.

272
00:16:04,600 --> 00:16:07,667
The movie is full of all these
weird and wonderful scenes,

273
00:16:07,667 --> 00:16:09,066
in a way that makes you think

274
00:16:09,066 --> 00:16:11,567
it could only be
a Tim Burton film.

275
00:16:11,567 --> 00:16:13,734
<i>But it almost</i>
<i>didn't turn out that way.</i>

276
00:16:18,467 --> 00:16:21,667
[narrator] <i>In Alabama</i>
<i>is a ramshackle movie set</i>

277
00:16:21,667 --> 00:16:24,767
<i>created by</i>
<i>director Tim Burton.</i>

278
00:16:24,767 --> 00:16:28,500
<i>But it was a film he was</i>
<i>never meant to be a part of.</i>

279
00:16:29,500 --> 00:16:33,266
<i>That's because</i>
<i>Hollywood royalty</i>
<i>Steven Spielberg</i>

280
00:16:33,266 --> 00:16:35,500
<i>was originally lined up</i>
<i>to direct.</i>

281
00:16:36,667 --> 00:16:38,567
[Meigs] <i>But then mid-project,</i>

282
00:16:38,567 --> 00:16:41,767
<i>he got called off</i>
<i>on a different film</i>

283
00:16:41,767 --> 00:16:44,900
and director Tim Burton
got involved.

284
00:16:46,066 --> 00:16:48,567
[Pedrick] <i>Some say it was</i>
<i>because he needed a win.</i>

285
00:16:48,567 --> 00:16:51,700
<i>If you remember,</i>
<i>he'd just put out that movie</i>
Planet of the Apes,

286
00:16:51,700 --> 00:16:56,300
and it was nowhere
near the hit that
he really needed it to be.

287
00:16:56,300 --> 00:17:00,567
[narrator] <i>The pressure was on</i>
<i>to make this film a success.</i>

288
00:17:00,567 --> 00:17:02,867
<i>Landowner Bobby Bright's</i>
<i>first encounter</i>

289
00:17:02,867 --> 00:17:06,233
<i>with the future Oscar-winner</i>
<i>didn't help matters.</i>

290
00:17:07,700 --> 00:17:11,266
I would always
come over after work
and ride through the set

291
00:17:11,266 --> 00:17:13,567
<i>to see what progress</i>
<i>they'd made.</i>

292
00:17:13,567 --> 00:17:15,667
<i>And as I got</i>
<i>behind the mayor's house,</i>

293
00:17:15,667 --> 00:17:21,200
<i>this stranger came walking out</i>
<i>and I thought maybe he was</i>
<i>up to no good.</i>

294
00:17:21,200 --> 00:17:24,767
<i>But I had no idea</i>
<i>who Tim Burton was</i>
<i>before the movie came here.</i>

295
00:17:24,767 --> 00:17:27,033
I almost started to do
a citizen's arrest on him.

296
00:17:30,467 --> 00:17:35,467
[narrator]
<i>Despite Bobby's best efforts,</i>
<i>Burton did continue filming,</i>

297
00:17:35,467 --> 00:17:40,166
<i>but Spectre was</i>
<i>about to hit hard times,</i>
<i>Hollywood-style.</i>

298
00:17:40,166 --> 00:17:42,900
[Pedrick] <i>Spectre</i>
<i>wasn't big enough</i>
<i>for Edward Bloom.</i>

299
00:17:42,900 --> 00:17:46,800
I mean, he's a big fish
and so he leaves.

300
00:17:48,166 --> 00:17:51,867
[Meigs] <i>Later in the movie,</i>
<i>Edward comes back</i>
<i>to the town of Spectre,</i>

301
00:17:51,867 --> 00:17:54,166
<i>and something has happened.</i>

302
00:17:54,166 --> 00:17:56,100
The town is now in ruins.

303
00:17:56,100 --> 00:17:57,400
So in order to shoot that,

304
00:17:57,400 --> 00:18:01,567
<i>the filmmakers first had</i>
<i>to build these nice,</i>
<i>new buildings</i>

305
00:18:01,567 --> 00:18:05,700
<i>and then make everything look</i>
<i>like it had aged 50 years.</i>

306
00:18:08,000 --> 00:18:11,467
[Bobby]
<i>They tore up the fences,</i>
<i>the picket fences.</i>

307
00:18:11,467 --> 00:18:15,300
They used sandblasters,
they used heating torches
to burn the paint off,

308
00:18:15,300 --> 00:18:17,500
to make the paint peel
like that right there.

309
00:18:17,500 --> 00:18:21,767
<i>They took up the sod</i>
<i>and they did everything</i>
<i>they possibly could</i>

310
00:18:21,767 --> 00:18:24,834
to make it look like
it was in really, really
bad shape.

311
00:18:25,800 --> 00:18:29,767
So, really what
you're seeing here
is not actual decay,

312
00:18:29,767 --> 00:18:31,233
it's Hollywood magic.

313
00:18:32,066 --> 00:18:34,166
[narrator]
<i>Yet that Hollywood magic</i>

314
00:18:34,166 --> 00:18:39,133
<i>didn't translate into</i>
<i>the runaway box-office hit</i>
<i>Burton had hoped for.</i>

315
00:18:41,166 --> 00:18:46,166
[Meares] <i>It did about</i>
<i>$60 million domestically</i>
<i>and $120 million worldwide</i>

316
00:18:46,166 --> 00:18:48,266
with a $70 million budget.

317
00:18:48,266 --> 00:18:52,000
So a solid success,
but not a great blockbuster.

318
00:18:55,266 --> 00:18:57,100
[narrator]
<i>For the Bright family though,</i>

319
00:18:57,100 --> 00:19:01,300
<i>the old movie set</i>
<i>seemed like an opportunity</i>
<i>too good to miss.</i>

320
00:19:02,200 --> 00:19:04,200
[Lynn] <i>So towards the end</i>
<i>of the filming,</i>

321
00:19:04,200 --> 00:19:06,700
<i>we as a family decided to,</i>
<i>you know...</i>

322
00:19:06,700 --> 00:19:08,266
<i>"What if we let it stay?"</i>

323
00:19:08,266 --> 00:19:10,166
We had an expectation
that people would be

324
00:19:10,166 --> 00:19:12,000
really interested
in seeing it.

325
00:19:12,000 --> 00:19:13,700
<i>But nobody wanted</i>
<i>to come see it.</i>

326
00:19:13,700 --> 00:19:15,533
People just didn't realize
it was here.

327
00:19:17,300 --> 00:19:19,500
[Meares]
<i>In the years after the film,</i>

328
00:19:19,500 --> 00:19:22,867
<i>the elements</i>
<i>slowly took over the set.</i>

329
00:19:22,867 --> 00:19:27,200
Floods came in and destroyed
one of the main character's
homes,

330
00:19:27,200 --> 00:19:29,333
things really went to rot
and ruin.

331
00:19:30,467 --> 00:19:34,066
[narrator]
<i>Spectre was in danger</i>
<i>of complete destruction.</i>

332
00:19:34,066 --> 00:19:36,066
<i>This time, for real.</i>

333
00:19:36,066 --> 00:19:40,300
<i>If it was going to survive,</i>
<i>it needed a lifeline fast.</i>

334
00:19:41,467 --> 00:19:45,166
[Lynn] <i>It was not until</i>
<i>around 2011 or so,</i>

335
00:19:45,166 --> 00:19:50,100
<i>when social media picked it up</i>
<i>and the next thing we knew,</i>
<i>people knew we were here.</i>

336
00:19:50,100 --> 00:19:52,200
And once people
started to come visit,

337
00:19:52,200 --> 00:19:55,700
then we really realized
that we needed to do
whatever we could

338
00:19:55,700 --> 00:19:57,600
<i>to keep the structure</i>
<i>standing.</i>

339
00:19:59,100 --> 00:20:01,100
<i>They also come to see</i>
<i>the goats.</i>

340
00:20:01,100 --> 00:20:04,166
And the goats take a toll
not only on the island,

341
00:20:04,166 --> 00:20:06,600
but they take a toll
on the town of Spectre.

342
00:20:07,867 --> 00:20:10,400
[narrator] <i>Today,</i>
<i>there's not as much</i>
<i>of the town left</i>

343
00:20:10,400 --> 00:20:12,200
<i>as there once was.</i>

344
00:20:12,200 --> 00:20:13,533
<i>But thousands of fans</i>

345
00:20:13,533 --> 00:20:18,000
<i>still come to walk</i>
<i>the fictional street</i>
<i>of a film they adore.</i>

346
00:20:18,667 --> 00:20:20,066
[Meares]
<i>It's really the message</i>

347
00:20:20,066 --> 00:20:22,800
<i>and the heartwarming nature</i>
<i>of the movie</i>

348
00:20:22,800 --> 00:20:25,667
<i>that people really love</i>
<i>because in the end,</i>

349
00:20:25,667 --> 00:20:28,967
Edward and Will
do get their relationship
back on track,

350
00:20:28,967 --> 00:20:30,834
<i>and it's really beautiful.</i>

351
00:20:31,767 --> 00:20:34,066
[Lynn] <i>We had a man</i>
<i>that came from South Florida,</i>

352
00:20:34,066 --> 00:20:38,767
and he told us the story
of how he had watched
the movie with his son

353
00:20:38,767 --> 00:20:40,767
while his son
was on his deathbed

354
00:20:40,767 --> 00:20:43,767
<i>and they healed</i>
<i>their relationship.</i>

355
00:20:43,767 --> 00:20:47,500
He was so emotional about it,
I was crying listening to him

356
00:20:47,500 --> 00:20:50,266
because I could tell
that it really mattered

357
00:20:50,266 --> 00:20:54,233
that he get here
for the memory of his son.

358
00:20:58,800 --> 00:21:00,567
[Pedrick] <i>Although</i>
<i>the movie will live on</i>

359
00:21:00,567 --> 00:21:02,967
<i>and likely get new fans</i>
<i>over the years,</i>

360
00:21:02,967 --> 00:21:06,200
the future
for the town of Spectre
is not so certain.

361
00:21:08,166 --> 00:21:10,000
[Lynn] <i>I'm not sure</i>
<i>how much longer it'll last.</i>

362
00:21:10,000 --> 00:21:11,767
<i>At some point,</i>
<i>it's just gonna all give.</i>

363
00:21:11,767 --> 00:21:14,367
<i>They're not built</i>
<i>on real foundations,</i>

364
00:21:14,367 --> 00:21:16,900
so we can't expect it
to last forever.

365
00:21:23,767 --> 00:21:26,767
[narrator]
<i>In the city of Gwangju,</i>
<i>South Korea</i>

366
00:21:26,767 --> 00:21:31,300
<i>are the forsaken reminders</i>
<i>of a sacrifice</i>
<i>that forged a nation.</i>

367
00:21:36,900 --> 00:21:41,100
From the outside,
it could be a rundown
apartment block or an office.

368
00:21:42,667 --> 00:21:43,800
[Auerbach] <i>Peering</i>
<i>through the dirty windows,</i>

369
00:21:43,800 --> 00:21:47,367
<i>it's really hard</i>
<i>to get a sense</i>
<i>of what's inside.</i>

370
00:21:47,367 --> 00:21:51,400
As soon as you walk in,
you can really feel the decay.

371
00:21:53,667 --> 00:21:56,767
[Bell] <i>There are CT scanners,</i>
<i>X-ray machines,</i>

372
00:21:56,767 --> 00:22:02,300
and cabinets still filled
with vials of medicine
and syringes.

373
00:22:02,300 --> 00:22:05,166
[Auerbach] <i>So, clearly,</i>
<i>this was some kind</i>
<i>of medical facility.</i>

374
00:22:05,166 --> 00:22:11,000
It's kind of post-apocalyptic,
like everyone just vanished.

375
00:22:13,300 --> 00:22:16,567
[narrator] <i>Nearby</i>
<i>are the remains</i>
<i>of another facility</i>

376
00:22:16,567 --> 00:22:20,867
<i>that at first appears</i>
<i>to have no obvious connection.</i>

377
00:22:20,867 --> 00:22:24,867
[Bell] <i>Set back</i>
<i>from the square behind</i>
<i>heavy metal gates</i>

378
00:22:24,867 --> 00:22:28,367
lies this imposing
white building.

379
00:22:28,367 --> 00:22:31,567
[Michele Mitchell]
<i>A grand staircase greets you</i>
<i>as you first walk in.</i>

380
00:22:31,567 --> 00:22:34,100
Inside, it has
clearly been gutted.

381
00:22:34,100 --> 00:22:38,000
[Auerbach] <i>These holes</i>
<i>surrounded by yellow tape</i>
<i>suggests</i>

382
00:22:38,000 --> 00:22:41,734
that something has been
dug out of the walls
for evidence.

383
00:22:43,000 --> 00:22:44,700
[narrator]
<i>Together, these structures</i>

384
00:22:44,700 --> 00:22:48,600
<i>tell a story of heroism</i>
<i>in the face of mortal danger.</i>

385
00:22:50,300 --> 00:22:51,867
[Mitchell]
<i>When the government</i>
<i>goes rogue,</i>

386
00:22:51,867 --> 00:22:54,000
it's up to the citizens
to rebel.

387
00:22:58,967 --> 00:23:02,266
[narrator]
<i>In the South Korean city</i>
<i>of Gwangju are two buildings</i>

388
00:23:02,266 --> 00:23:06,300
<i>involved in a brutal episode</i>
<i>that defined a nation.</i>

389
00:23:07,567 --> 00:23:11,800
I was just
an ordinary citizen,
an office worker.

390
00:23:13,400 --> 00:23:15,467
[narrator]
<i>Jun-Bong Kim was an employee</i>

391
00:23:15,467 --> 00:23:18,567
<i>of a local cement company</i>
<i>in 1980.</i>

392
00:23:18,567 --> 00:23:21,266
<i>Events that played out</i>
<i>in that year</i>

393
00:23:21,266 --> 00:23:24,400
<i>had a lasting impact</i>
<i>on his life.</i>

394
00:23:24,400 --> 00:23:27,066
[Kim] <i>I have</i>
<i>experienced torture.</i>

395
00:23:27,066 --> 00:23:30,700
As a result, my body
was completely ruined.

396
00:23:31,867 --> 00:23:36,266
<i>Nevertheless,</i>
<i>May 18th thought me</i>
<i>what justice is.</i>

397
00:23:36,266 --> 00:23:39,500
<i>I don't regret</i>
<i>or doubt anything</i>
<i>that I've done.</i>

398
00:23:41,066 --> 00:23:44,100
[narrator]
<i>The catalyst for the cruelty</i>
<i>Jun-Bong endured,</i>

399
00:23:44,100 --> 00:23:50,300
<i>and which connected him</i>
<i>to these buildings forever,</i>
<i>began in 1979.</i>

400
00:23:53,000 --> 00:23:55,266
[Auerbach] <i>Park Chung Hee</i>
<i>had ruled South Korea</i>

401
00:23:55,266 --> 00:23:58,200
<i>as an authoritarian dictator</i>
<i>since the 1960s.</i>

402
00:23:59,100 --> 00:24:02,400
At a dinner party
in the presidential complex,

403
00:24:02,400 --> 00:24:03,900
the head of intelligence

404
00:24:03,900 --> 00:24:07,867
pulled out a gun and shot him
in the head and in the chest.

405
00:24:07,867 --> 00:24:09,367
[siren wailing]

406
00:24:09,367 --> 00:24:13,867
[narrator] <i>The assassination</i>
<i>was just the first act</i>
<i>of a military coup</i>

407
00:24:13,867 --> 00:24:16,000
<i>to take over the country.</i>

408
00:24:16,000 --> 00:24:22,634
<i>In South Korea's major cities,</i>
<i>like here, in Gwangju,</i>
<i>student protests erupted.</i>

409
00:24:23,367 --> 00:24:25,500
[Bell] <i>Seven thousand</i>
<i>protestors</i>

410
00:24:25,500 --> 00:24:27,467
broke through
the police barrier

411
00:24:27,467 --> 00:24:28,934
surrounding their school

412
00:24:28,934 --> 00:24:33,066
<i>and went to the square</i>
<i>in front of the provincial</i>
<i>government building.</i>

413
00:24:33,066 --> 00:24:37,400
<i>They demanded an end</i>
<i>to the martial law declared</i>
<i>across the country.</i>

414
00:24:38,000 --> 00:24:39,867
At 1:00 a.m. on May 18th,

415
00:24:39,867 --> 00:24:43,000
the government
announced a stoppage
to all such activity.

416
00:24:43,000 --> 00:24:47,767
<i>They closed universities,</i>
<i>they banned protests</i>
<i>and demonstrations,</i>

417
00:24:47,767 --> 00:24:50,900
<i>and they announced</i>
<i>new restrictions on the press.</i>

418
00:24:50,900 --> 00:24:52,233
[narrator]
<i>The military government</i>

419
00:24:52,233 --> 00:24:56,467
<i>deployed troops</i>
<i>all over the city</i>
<i>to enforce the new laws...</i>

420
00:24:56,467 --> 00:24:59,467
<i>by whatever means necessary.</i>

421
00:24:59,467 --> 00:25:03,500
These were soldiers trained
against the looming threat
of invasion from North Korea,

422
00:25:03,500 --> 00:25:06,800
not the policing
of peaceful protests.

423
00:25:06,800 --> 00:25:11,700
A 24-year-old deaf man
was beaten so badly
by soldiers

424
00:25:11,700 --> 00:25:13,634
that he died of his wounds
the following day.

425
00:25:15,567 --> 00:25:18,266
[narrator] <i>But the people</i>
<i>refused to be silenced</i>

426
00:25:18,266 --> 00:25:22,000
<i>and the protests continued</i>
<i>for the next three days.</i>

427
00:25:22,000 --> 00:25:26,233
<i>On May 21st,</i>
<i>an alarming decision was made.</i>

428
00:25:27,867 --> 00:25:33,900
The stage was set for a clash
that would reverberate
through South Korea's history.

429
00:25:34,867 --> 00:25:36,133
[Auerbach] <i>At 1:00 p.m.,</i>

430
00:25:36,133 --> 00:25:38,967
<i>the national anthem</i>
<i>was played out</i>
<i>over the PA system.</i>

431
00:25:38,967 --> 00:25:42,266
As soon as the last note
of the anthem played,

432
00:25:42,266 --> 00:25:47,266
the soldiers, armed
with American-provided
M16 assault rifles,

433
00:25:47,266 --> 00:25:48,867
<i>opened fire on the crowd.</i>

434
00:25:48,867 --> 00:25:50,266
[guns firing]

435
00:25:50,266 --> 00:25:53,767
[Bell]
<i>Tens of thousands of people</i>
<i>were running for their lives,</i>

436
00:25:53,767 --> 00:25:56,867
diving for cover
in nearby alleyways.

437
00:25:56,867 --> 00:25:59,000
[narrator]
<i>Jun-Bong was working</i>
<i>in an office</i>

438
00:25:59,000 --> 00:26:01,467
<i>across from the provincial</i>
<i>government building</i>

439
00:26:01,467 --> 00:26:05,033
<i>when he was unexpectedly</i>
<i>drawn into the turmoil.</i>

440
00:26:07,667 --> 00:26:11,400
[Kim] <i>Someone knocked</i>
<i>on the office door</i>

441
00:26:11,400 --> 00:26:13,400
<i>and I heard three people</i>
<i>crying out.</i>

442
00:26:15,467 --> 00:26:18,000
"Help us, help us."

443
00:26:18,667 --> 00:26:22,000
They were young students.

444
00:26:24,266 --> 00:26:26,233
<i>I was shocked</i>
<i>when I saw the blood.</i>

445
00:26:28,767 --> 00:26:33,400
Everyone in front of me
was covered in blood.

446
00:26:33,400 --> 00:26:34,667
[narrator]
<i>He rushed the wounded</i>

447
00:26:34,667 --> 00:26:36,667
<i>to the city's</i>
<i>Red Cross hospital,</i>

448
00:26:36,667 --> 00:26:39,033
<i>located less</i>
<i>than half-a-mile away.</i>

449
00:26:40,000 --> 00:26:45,467
<i>When he arrived,</i>
<i>the scene was one</i>
<i>of utter chaos.</i>

450
00:26:45,467 --> 00:26:48,867
[Kim] <i>There were patients</i>
<i>with gunshot wounds</i>
<i>everywhere.</i>

451
00:26:48,867 --> 00:26:51,400
It was absolute mayhem.

452
00:26:51,400 --> 00:26:54,400
The building was overflowing
with wounded people.

453
00:26:56,266 --> 00:26:59,767
[Auerbach] <i>It soon became</i>
<i>clear that the hospital</i>
<i>was gonna run out</i>

454
00:26:59,767 --> 00:27:01,266
<i>of blood supply</i>
<i>for transfusion.</i>

455
00:27:01,266 --> 00:27:02,500
<i>And when that happened,</i>

456
00:27:02,500 --> 00:27:04,200
people suffering
from gunshot wounds

457
00:27:04,200 --> 00:27:06,266
were gonna die
very, very quickly.

458
00:27:06,266 --> 00:27:09,667
[narrator]
<i>Jun-Bong was desperate</i>
<i>to help in any way he could,</i>

459
00:27:09,667 --> 00:27:12,900
<i>even if it meant</i>
<i>risking his own life.</i>

460
00:27:12,900 --> 00:27:16,800
[Kim] <i>It was devastating</i>
<i>seeing what was happening</i>
<i>with my own eyes.</i>

461
00:27:16,800 --> 00:27:20,066
<i>I was so mad,</i>
<i>I couldn't stay still.</i>

462
00:27:20,066 --> 00:27:25,266
The only thing in my mind
was that I had to fight
to protect Gwangju.

463
00:27:25,266 --> 00:27:28,600
[narrator]
<i>He and a team of doctors</i>
<i>drove into the city</i>

464
00:27:28,600 --> 00:27:32,567
<i>as the crackle of gunfire</i>
<i>echoed all around.</i>

465
00:27:32,567 --> 00:27:34,367
[Kim] <i>I opened up the window</i>
<i>and said,</i>

466
00:27:34,367 --> 00:27:36,867
<i>"Gwangju citizens,</i>
<i>there is not enough blood</i>

467
00:27:36,867 --> 00:27:38,767
<i>to help save</i>
<i>the gunshot patients.</i>

468
00:27:38,767 --> 00:27:43,166
Please donate blood.
People are dying.
Please donate blood."

469
00:27:43,166 --> 00:27:45,467
<i>The citizens</i>
<i>lined up to donate.</i>

470
00:27:45,467 --> 00:27:50,433
Eventually, the line
was about 200 meters long.

471
00:27:52,467 --> 00:27:55,967
Those with serious gunshot
wounds were stabilized,

472
00:27:55,967 --> 00:27:58,800
had the bullets
and shrapnel removed
from their bodies,

473
00:27:58,800 --> 00:28:02,600
<i>and then taken</i>
<i>to larger hospitals</i>
<i>for longer-term care.</i>

474
00:28:03,967 --> 00:28:07,667
[narrator] <i>But the real fight</i>
<i>had only just begun.</i>

475
00:28:07,667 --> 00:28:10,400
<i>The citizens</i>
<i>of Gwangju mobilized,</i>

476
00:28:10,400 --> 00:28:13,266
<i>raiding police stations</i>
<i>and military depots</i>

477
00:28:13,266 --> 00:28:16,033
<i>to take up arms</i>
<i>against the aggressors.</i>

478
00:28:17,100 --> 00:28:20,867
The military forces
facing this mass
armed resistance

479
00:28:20,867 --> 00:28:23,300
retreated to the outskirts
of the city.

480
00:28:23,300 --> 00:28:27,400
They cut off
all outside communications
and closed the roads.

481
00:28:27,400 --> 00:28:30,867
<i>What had become</i>
<i>a demonstration</i>
<i>and a response,</i>

482
00:28:30,867 --> 00:28:32,900
<i>had now become a siege.</i>

483
00:28:34,367 --> 00:28:37,166
[narrator] <i>For a few days,</i>
<i>there was peace.</i>

484
00:28:37,166 --> 00:28:40,467
<i>But this</i>
<i>was just the calm</i>
<i>before the storm.</i>

485
00:28:40,467 --> 00:28:45,900
On May 26th, it became clear
the military was moving
to retake the city.

486
00:28:47,400 --> 00:28:50,400
[Auerbach]
<i>As news of the imminent attack</i>
<i>began to spread,</i>

487
00:28:50,400 --> 00:28:54,266
armed protestors took up
station inside the provincial
government building.

488
00:28:54,266 --> 00:28:58,100
<i>They were determined</i>
<i>to make a last,</i>
<i>desperate stand.</i>

489
00:28:58,100 --> 00:29:02,800
[narrator] <i>Jun-Bong was one</i>
<i>of the city's defenders</i>
<i>holed up inside.</i>

490
00:29:06,266 --> 00:29:09,166
We were trembling with fear.

491
00:29:09,166 --> 00:29:12,266
<i>We could hear the helicopters</i>
<i>in the distance.</i>

492
00:29:12,266 --> 00:29:14,634
<i>We thought we were</i>
<i>going to die here.</i>

493
00:29:20,000 --> 00:29:22,767
[narrator] <i>May 27th, 1980.</i>

494
00:29:22,767 --> 00:29:28,567
<i>In Gwangju, South Korea,</i>
<i>the defenders of democracy</i>
<i>are making their last stand</i>

495
00:29:28,567 --> 00:29:31,567
<i>in the city's provincial</i>
<i>government building.</i>

496
00:29:31,567 --> 00:29:35,734
As church bells
pealed at 4:00 a.m.,
the first shots were fired.

497
00:29:36,867 --> 00:29:40,066
Then, the chaos
of war erupted.

498
00:29:40,066 --> 00:29:41,600
[guns firing]

499
00:29:44,467 --> 00:29:51,100
I went to the back door
just as the soldiers came in.

500
00:29:51,100 --> 00:29:52,834
<i>I saw the soldiers</i>
<i>shooting their guns.</i>

501
00:29:54,467 --> 00:29:56,867
<i>There were flames everywhere.</i>

502
00:29:56,867 --> 00:30:04,100
They said that
if we surrendered,
they would spare our lives.

503
00:30:04,867 --> 00:30:06,700
<i>So we surrendered.</i>

504
00:30:08,200 --> 00:30:10,500
<i>I threw away my weapon</i>
<i>and crawled out.</i>

505
00:30:14,700 --> 00:30:17,133
<i>The troops</i>
<i>tied up people like fish.</i>

506
00:30:18,800 --> 00:30:20,100
[Auerbach] <i>By 5:10 a.m.,</i>

507
00:30:20,100 --> 00:30:22,867
with the sun just beginning
to rise over the city,

508
00:30:22,867 --> 00:30:23,700
it was all over.

509
00:30:25,700 --> 00:30:27,467
[Bell] <i>Seventeen people</i>
<i>were killed</i>

510
00:30:27,467 --> 00:30:29,767
<i>inside the provincial</i>
<i>government building,</i>

511
00:30:29,767 --> 00:30:32,400
and over 200 were arrested.

512
00:30:32,400 --> 00:30:36,166
[narrator] <i>Yet the event</i>
<i>was swept under the rug.</i>

513
00:30:36,166 --> 00:30:40,900
<i>In the years that followed,</i>
<i>any mention of the uprising</i>
<i>by the city's residents</i>

514
00:30:40,900 --> 00:30:44,100
<i>was met</i>
<i>with severe punishment.</i>

515
00:30:44,100 --> 00:30:46,667
[Bell] <i>The provincial</i>
<i>government building</i>

516
00:30:46,667 --> 00:30:49,667
<i>was once again used</i>
<i>as an administrative</i>
<i>headquarters.</i>

517
00:30:49,667 --> 00:30:53,500
All traces
of the brutal attack
were covered over.

518
00:30:53,500 --> 00:30:55,266
[people chanting in Korean]

519
00:30:55,266 --> 00:30:57,700
[narrator]
<i>But the events of May 1980</i>

520
00:30:57,700 --> 00:31:02,767
<i>laid the foundations</i>
<i>for democracy</i>
<i>to eventually flourish.</i>

521
00:31:02,767 --> 00:31:08,367
<i>In 1987, the country</i>
<i>held its first free elections.</i>

522
00:31:08,367 --> 00:31:11,767
<i>Under the new regime,</i>
<i>the city's Red Cross hospital</i>

523
00:31:11,767 --> 00:31:17,166
<i>remained operational</i>
<i>for another 27 years.</i>

524
00:31:17,166 --> 00:31:22,100
[Auerbach] <i>By 2014, however,</i>
<i>its doors were locked</i>
<i>with everything left inside.</i>

525
00:31:22,100 --> 00:31:24,634
And the whole facility
was just left to decay.

526
00:31:31,467 --> 00:31:36,000
[narrator] <i>Today,</i>
<i>Jun-Bong works with</i>
<i>the May 18 Foundation,</i>

527
00:31:36,000 --> 00:31:38,300
<i>founded to protect</i>
<i>these structures</i>

528
00:31:38,300 --> 00:31:41,300
<i>and the memory</i>
<i>of the Gwangju Uprising.</i>

529
00:31:42,667 --> 00:31:45,367
[Kim] <i>Democracy</i>
<i>has a living history.</i>

530
00:31:45,367 --> 00:31:51,300
It's necessary
to preserve these locations
to educate others.

531
00:31:59,000 --> 00:32:00,767
[narrator] <i>In Western Namibia,</i>

532
00:32:00,767 --> 00:32:03,066
<i>where the desert</i>
<i>meets the ocean,</i>

533
00:32:03,066 --> 00:32:06,900
<i>traces</i>
<i>of weather-beaten structures</i>
<i>line the shore.</i>

534
00:32:10,767 --> 00:32:14,000
[Meigs] <i>We're on</i>
<i>the South Atlantic coast</i>
<i>of Africa.</i>

535
00:32:14,000 --> 00:32:18,166
<i>This is a place</i>
<i>where, to this day,</i>
<i>almost no one lives.</i>

536
00:32:18,166 --> 00:32:25,000
Then here and there,
we see some signs
of human activity.

537
00:32:25,000 --> 00:32:28,867
[Pepera] <i>There are these</i>
<i>huge metal structures,</i>
<i>almost like barrels,</i>

538
00:32:28,867 --> 00:32:30,133
lined up in rows.

539
00:32:30,567 --> 00:32:32,100
<i>And from above,</i>

540
00:32:32,100 --> 00:32:37,000
<i>you can see the outline</i>
<i>of a large concrete slipway</i>
<i>on the water's edge.</i>

541
00:32:38,367 --> 00:32:40,700
[Dominic Selwood]
<i>Chains set into the ground</i>

542
00:32:40,700 --> 00:32:46,000
suggest that something massive
was either lashed down
or dragged across the beach.

543
00:32:46,000 --> 00:32:49,767
[Meigs] <i>What would require</i>
<i>such heavy-duty infrastructure</i>

544
00:32:49,767 --> 00:32:52,233
out here in the middle
of nowhere?

545
00:32:55,967 --> 00:32:59,266
[narrator]
<i>These are the last remains</i>
<i>of a booming industry</i>

546
00:32:59,266 --> 00:33:01,800
<i>that powered</i>
<i>the industrial age.</i>

547
00:33:03,567 --> 00:33:07,800
I believe it was
a necessary evil at the time

548
00:33:07,800 --> 00:33:10,700
when we had
no other source of fuel.

549
00:33:10,700 --> 00:33:14,867
[Meigs] <i>If you walk</i>
<i>on this beach, you see</i>
<i>something kind of chilling.</i>

550
00:33:14,867 --> 00:33:18,900
There are bones everywhere.
Enormous bones.

551
00:33:18,900 --> 00:33:21,567
[Selwood] <i>It's easy to see</i>
<i>how this place got its name.</i>

552
00:33:21,567 --> 00:33:23,200
The Skeleton Coast.

553
00:33:29,867 --> 00:33:32,500
[Paul Lombard] I am
a born Namibian.

554
00:33:32,500 --> 00:33:34,300
At a young age,
my father brought me out

555
00:33:34,300 --> 00:33:35,300
into this area,

556
00:33:35,300 --> 00:33:38,166
and it really grew my passion
for the desert.

557
00:33:38,166 --> 00:33:41,400
[narrator] <i>Paul Lombard</i>
<i>is a local expedition leader.</i>

558
00:33:42,000 --> 00:33:43,767
<i>It took years of experience</i>

559
00:33:43,767 --> 00:33:47,767
<i>to learn how to live</i>
<i>in this unforgiving</i>
<i>environment.</i>

560
00:33:47,767 --> 00:33:51,266
As an early sailor,
if you were stranded
on this coast

561
00:33:51,266 --> 00:33:53,567
and had no knowledge
of the desert,

562
00:33:53,567 --> 00:33:56,200
the chance of survival
was next to nothing.

563
00:33:57,767 --> 00:34:00,567
[narrator]
<i>Yet hundreds of people</i>
<i>did venture here,</i>

564
00:34:00,567 --> 00:34:04,266
<i>willing to risk their lives</i>
<i>in search of fortune.</i>

565
00:34:04,266 --> 00:34:10,000
<i>The prize they sought</i>
<i>wasn't buried in the desert,</i>
<i>it was in the ocean facing it.</i>

566
00:34:12,400 --> 00:34:15,300
[Meigs] <i>There are</i>
<i>giant seal colonies,</i>

567
00:34:15,300 --> 00:34:18,000
<i>sharks come in</i>
<i>close to the shore,</i>

568
00:34:18,000 --> 00:34:19,800
and there are whales.

569
00:34:21,000 --> 00:34:24,367
[Selwood] <i>In the winter,</i>
<i>they migrated north</i>
<i>to the warmer waters,</i>

570
00:34:24,367 --> 00:34:27,800
<i>like those along</i>
<i>the South African</i>
<i>and Namibian coasts.</i>

571
00:34:27,800 --> 00:34:32,000
They sought out
shallow bays like these
to give birth.

572
00:34:32,000 --> 00:34:37,467
<i>In the early 1700s,</i>
<i>the Dutch West India Company</i>
<i>sent whalers to this region,</i>

573
00:34:37,467 --> 00:34:41,867
<i>and American, French,</i>
<i>and Norwegian hunters</i>
<i>soon followed.</i>

574
00:34:41,867 --> 00:34:45,667
[narrator] <i>Whaling stations</i>
<i>were quickly established</i>
<i>along Namibia's coast</i>

575
00:34:45,667 --> 00:34:48,767
<i>to exploit</i>
<i>the abundant population.</i>

576
00:34:48,767 --> 00:34:53,400
<i>This one became known</i>
<i>as Meob Bay.</i>

577
00:34:53,400 --> 00:34:57,266
[Meigs]
<i>Everyone thinks of</i> Moby Dick
<i>and the 19th-century ships</i>

578
00:34:57,266 --> 00:35:02,467
<i>that sailed around the world</i>
<i>chasing a variety of whales,</i>
<i>especially sperm whales.</i>

579
00:35:02,467 --> 00:35:09,600
But here in Africa,
it was possible to hunt whales
right off the beach.

580
00:35:09,600 --> 00:35:11,967
The unique design
of these surf boats

581
00:35:11,967 --> 00:35:14,867
was specific for breaking
through the waves.

582
00:35:14,867 --> 00:35:17,800
With a bow and a stern
with the same shape.

583
00:35:17,800 --> 00:35:22,967
If the small crew of men
got twisted or turned
in the waves,

584
00:35:22,967 --> 00:35:26,467
they could just turn
their paddles around
and row their way through.

585
00:35:26,467 --> 00:35:31,500
They would then have
the open ocean to chase across
and hunt down their prey.

586
00:35:31,500 --> 00:35:36,000
[narrator]
<i>The hunters catch of choice</i>
<i>was the Southern right whale.</i>

587
00:35:36,000 --> 00:35:41,266
Legend has it
the right whale got its name
because for the early whalers,

588
00:35:41,266 --> 00:35:44,900
it was the easiest whale,
the right whale to catch.

589
00:35:46,000 --> 00:35:48,166
[Pepera] <i>They often swam up</i>
<i>close to the shore</i>

590
00:35:48,166 --> 00:35:49,867
<i>and stayed near the surface,</i>

591
00:35:49,867 --> 00:35:52,000
making it easy
to spot and follow them.

592
00:35:53,000 --> 00:35:55,266
[Selwood] <i>They also floated</i>
<i>when they were dead,</i>

593
00:35:55,266 --> 00:35:58,400
which made it much easier
to lash them to the side
of ships

594
00:35:58,400 --> 00:35:59,400
or drag them back to shore.

595
00:36:00,800 --> 00:36:03,700
[narrator] <i>The whale</i>
<i>was a literal gold mine,</i>

596
00:36:03,700 --> 00:36:06,867
<i>and a use was found</i>
<i>for every part.</i>

597
00:36:06,867 --> 00:36:09,066
[Pepera]
<i>The most important product</i>
<i>from whaling</i>

598
00:36:09,066 --> 00:36:12,367
was the oil produced
from the animal's blubber.

599
00:36:12,367 --> 00:36:14,033
[Meigs] <i>Before the dawn</i>
<i>of the electric light,</i>

600
00:36:14,033 --> 00:36:20,066
<i>whale oil was considered</i>
<i>the best kind of oil to burn</i>
<i>in a lamp for illumination.</i>

601
00:36:20,066 --> 00:36:24,300
And that made the oil
extremely valuable.

602
00:36:25,266 --> 00:36:27,166
[narrator]
<i>Over the course of a century,</i>

603
00:36:27,166 --> 00:36:32,800
<i>around 3,700 right whales</i>
<i>were killed by the industry</i>
<i>in Namibia.</i>

604
00:36:32,800 --> 00:36:35,700
<i>Their downfall was inevitable.</i>

605
00:36:37,400 --> 00:36:39,166
[Selwood] <i>By the 1800s,</i>

606
00:36:39,166 --> 00:36:42,200
right whales had been hunted
almost to the verge
of extinction.

607
00:36:42,200 --> 00:36:46,567
But whalers didn't have
the technology to catch
and harvest whales

608
00:36:46,567 --> 00:36:48,500
which didn't float
when they died.

609
00:36:49,700 --> 00:36:53,367
[narrator] <i>As a result,</i>
<i>nearshore whaling declined</i>

610
00:36:53,367 --> 00:36:56,300
<i>and stations like this</i>
<i>were left abandoned.</i>

611
00:36:56,300 --> 00:36:58,166
<i>But in the decades to come,</i>

612
00:36:58,166 --> 00:37:00,800
<i>the Industrial Revolution's</i>
<i>advances</i>

613
00:37:00,800 --> 00:37:05,767
<i>would see</i>
<i>the trade return to Namibia</i>
<i>with a vengeance.</i>

614
00:37:05,767 --> 00:37:09,233
As whaling got mechanized,
it became even more deadly.

615
00:37:13,800 --> 00:37:14,934
[narrator] <i>In Namibia</i>

616
00:37:14,934 --> 00:37:18,667
<i>are the remnants</i>
<i>of a once-prolific</i>
<i>whaling industry</i>

617
00:37:18,667 --> 00:37:22,333
<i>that had fallen into decline</i>
<i>by the early 1800s.</i>

618
00:37:23,266 --> 00:37:25,567
<i>But at the turn</i>
<i>of the century,</i>

619
00:37:25,567 --> 00:37:26,934
<i>technological innovations</i>

620
00:37:26,934 --> 00:37:32,166
<i>brought the trade</i>
<i>back to this coast</i>
<i>with sinister efficiency.</i>

621
00:37:32,166 --> 00:37:37,800
Steam power was coming in,
so ships could travel faster
and farther.

622
00:37:37,800 --> 00:37:40,867
<i>And they began to develop</i>
<i>mechanized harpoons</i>

623
00:37:40,867 --> 00:37:43,567
<i>that could shoot farther</i>
<i>with much more force.</i>

624
00:37:43,567 --> 00:37:46,200
And most, kind of,
chilling of all,

625
00:37:46,200 --> 00:37:51,400
they developed harpoons
with a kind of grenade tip.

626
00:37:52,367 --> 00:37:55,467
[narrator] <i>Jean-Paul Roux</i>
<i>is a local marine scientist</i>

627
00:37:55,467 --> 00:37:58,500
<i>who studies the ecosystem</i>
<i>of these waters.</i>

628
00:38:00,066 --> 00:38:05,767
Faster whales could be taken
because of new technology,

629
00:38:05,767 --> 00:38:12,900
which allowed the whalers
to target the humpback whale,
blue whales, fin whales.

630
00:38:12,900 --> 00:38:18,166
<i>They were more abundant</i>
<i>because they had never been</i>
<i>exploited before.</i>

631
00:38:18,166 --> 00:38:21,700
[narrator] <i>150 miles south</i>
<i>of Meob Bay,</i>

632
00:38:21,700 --> 00:38:24,467
<i>just outside the town</i>
<i>of Luderitz,</i>

633
00:38:24,467 --> 00:38:29,734
<i>a collection of rusted remains</i>
<i>hint at the scale</i>
<i>of this deadly new era.</i>

634
00:38:30,567 --> 00:38:34,600
<i>This is the Sturmvogel Bucht</i>
<i>whaling station.</i>

635
00:38:34,600 --> 00:38:38,266
<i>When the German-run operation</i>
<i>opened in 1913,</i>

636
00:38:38,266 --> 00:38:42,233
<i>it was equipped</i>
<i>with the latest hunting</i>
<i>and processing technology.</i>

637
00:38:44,767 --> 00:38:46,767
So that's where it all started

638
00:38:46,767 --> 00:38:49,266
after the killing
of the whale.

639
00:38:49,266 --> 00:38:56,100
<i>It was towed here,</i>
<i>fastened to cables</i>
<i>and dragged tail-first.</i>

640
00:38:57,867 --> 00:39:02,800
You can see all the cables
have made grooves
in the concrete here.

641
00:39:04,467 --> 00:39:06,667
[Selwood]
<i>Once the whale had been</i>
<i>brought to the factory,</i>

642
00:39:06,667 --> 00:39:10,200
a process known
as flensing began.

643
00:39:10,200 --> 00:39:15,467
<i>Using long hooked knives,</i>
<i>workers would cut off</i>
<i>sections of blubber,</i>

644
00:39:15,467 --> 00:39:19,367
<i>which were then</i>
<i>dragged to the boilers</i>
<i>and cooked down into oil.</i>

645
00:39:19,367 --> 00:39:22,166
[narrator] <i>This process</i>
<i>required fresh water,</i>

646
00:39:22,166 --> 00:39:24,767
<i>which was hard to come by</i>
<i>in the desert.</i>

647
00:39:24,767 --> 00:39:30,600
They had to set up a big,
powered system to boil
sea water and condense it.

648
00:39:30,600 --> 00:39:32,500
[Pepera] <i>But it wasn't</i>
<i>an easy start.</i>

649
00:39:32,500 --> 00:39:35,567
<i>There were constant problems</i>
<i>with the water supply,</i>

650
00:39:35,567 --> 00:39:38,567
and they only produced
2,000 barrels of oil,

651
00:39:38,567 --> 00:39:40,400
which was way below
what they'd hoped.

652
00:39:41,700 --> 00:39:44,500
[narrator] <i>The situation</i>
<i>was about to get far worse</i>

653
00:39:44,500 --> 00:39:47,033
<i>for the whaling station's</i>
<i>German owners.</i>

654
00:39:47,367 --> 00:39:48,567
<i>A conflict loomed</i>

655
00:39:48,567 --> 00:39:52,300
<i>that would bring</i>
<i>the entire industry here</i>
<i>crashing down.</i>

656
00:39:54,300 --> 00:39:57,567
Since 1884,
Namibia had been
a German colony,

657
00:39:57,567 --> 00:40:01,266
then part of what was known
as German South West Africa.

658
00:40:01,266 --> 00:40:04,233
Soon, however,
World War I would intervene.

659
00:40:06,900 --> 00:40:08,967
[Pepera] <i>On the request</i>
<i>of the British government,</i>

660
00:40:08,967 --> 00:40:11,266
South Africa invaded Namibia

661
00:40:11,266 --> 00:40:13,800
and occupied the town
of Luderitz.

662
00:40:14,800 --> 00:40:16,867
[Selwood]
<i>The station's ships</i>
<i>were seized,</i>

663
00:40:16,867 --> 00:40:18,433
and operations
ground to a halt.

664
00:40:19,467 --> 00:40:21,500
[Roux] <i>At the end of the war,</i>

665
00:40:21,500 --> 00:40:25,367
<i>all the machinery</i>
<i>was taken away,</i>

666
00:40:25,367 --> 00:40:29,166
<i>the sheds itself</i>
<i>were left abandoned.</i>

667
00:40:29,166 --> 00:40:31,667
Norwegian whalers, mostly,

668
00:40:31,667 --> 00:40:37,467
discovered that it was
far better to look
for whales in Antarctica

669
00:40:37,467 --> 00:40:40,567
<i>instead of having</i>
<i>these shore stations,</i>

670
00:40:40,567 --> 00:40:44,967
<i>and later on</i>
<i>developed the concept</i>
<i>of a factory vessel.</i>

671
00:40:44,967 --> 00:40:49,300
And this is what brought
most whale stocks to decline.

672
00:40:54,667 --> 00:40:56,066
[narrator] <i>For centuries,</i>

673
00:40:56,066 --> 00:41:00,600
<i>whaling was a vital</i>
<i>yet unpleasant part</i>
<i>of human development.</i>

674
00:41:00,600 --> 00:41:04,967
[Lombard] <i>Whaling in Namibia,</i>
<i>or South West Africa</i>
<i>at that stage,</i>

675
00:41:04,967 --> 00:41:06,000
put us on the map.

676
00:41:06,000 --> 00:41:08,867
And my town, Walvis Bay,
where I was born and bred,

677
00:41:08,867 --> 00:41:12,567
<i>was founded on the backbone</i>
<i>of the whaling industry.</i>

678
00:41:12,567 --> 00:41:14,767
[narrator]
<i>When the whaling industry</i>
<i>collapsed,</i>

679
00:41:14,767 --> 00:41:16,200
<i>workers turned</i>
<i>to commercial fishing</i>

680
00:41:16,200 --> 00:41:20,700
<i>and the diamond mines</i>
<i>that littered the desert</i>
<i>for their livelihoods.</i>

681
00:41:20,700 --> 00:41:22,667
<i>Now, decades later,</i>

682
00:41:22,667 --> 00:41:27,867
<i>the Southern right whale</i>
<i>has finally started to return</i>
<i>to Namibia's waters.</i>


